Author: Sarah Keith

ESG: the only acronym that matters – media agencies need to get their act together

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By Sarah Keith – Group MD, Active International Media & Involved Media – published in Mi3 Australia

The world is moving on ESG. Brands are pushing suppliers – including media owners and agencies – to align with their corporate environmental, social and corporate governance agendas. That means we need to get our collective act together, starting now.

The past year or so has changed the way brands, companies and consumers think about purpose. Sure, we understand that brands, companies and consumers are inherently different, but what we sometimes forget is that their driving force is often the same. Be it the bottom line or contributing to the future of the planet, they all want to make a difference.

One of the key purpose-led trends today is the rise of Environmental Social Governance (ESG). Many companies understand its importance and are making good headway. But most media agencies and other marketing services suppliers are failing to understand, let alone embrace, it.

Put simply, ESG is understanding the three factors of environmentalsocial, and governance to evaluate a brand or company’s sustainable and ethical impact.

As the AFR reported in August, ESG concerns loomed large for chief executives during the recent earnings reporting season, as pressure from investors, customers, staff and government policymakers intensifies. ESG has rapidly emerged as a critical driver of consumer sentiment and consideration. Why? Because consumers increasingly demand brands and companies stand up for something and contribute towards a greater purpose.

Some brands are nailing ESG. For example, in July Mi3 reported that Telstra has made sustainability a key plank of its first brand campaign in five years and is pushing suppliers – including media owners and agencies – to cut their carbon emissions.

Mastercard launched its Priceless Planet Coalition in late 2020, which unites the efforts of merchants, banks, cities and consumers to fight climate change with the restoration of 100 million trees by 2025. Unilever has long been making changes in light of ESG that ladder down to a brand level. In March, Unilever said it would create more ads featuring under-represented models and promised not to digitally alter a person’s body shape or skin colour in its advertising.

But what about companies in the marketing services industry? For us, the story is very different given we don’t have a tangible product offering or simple business supply-chain. There is only so much we can control within our businesses, and a lot more we can’t.

What we can control

We can, of course, control our individual actions and our outputs. We can control the Environmental by making our office spaces more eco-friendly, more sustainable through recycling schemes, saving on paper, and reduced electricity usage. We can also control the Social through the addition of diversity and inclusion policies as well as adopting a Reconciliation Action Plan. We can also control our media buying and the safety and transparency around it, which is helped by the MFA and the IAB.

Overseas, GroupM is working on sustainability metrics as part of quality or “Q-CPMs”. Global CEO Christian Juhl this week told Mi3 those metrics will ultimately lead GroupM to recommend brands pull spend from media platforms that cannot demonstrably prove they are doing the right thing from an ESG perspective. That means WPP’s buying arm will proactively place fewer and fewer ad dollars with media owners that do not meet its own stringent decarbonisation plan, and the ESG agendas of its client brands.

What we cannot control

We cannot control the ESG efforts of our partners, our media suppliers and our clients. What we have to do is understand their ESG efforts. A strong understanding of their efforts will inform our own approach to ESG and how we promote that both internally and externally.

There are things to be aware of, like the uptick in greenwashing across industries (I’m looking at you fast fashion), as well as the virtue signalling we see on a yearly basis come LGBT History Month. As agencies, we have a responsibility to understand when direct contacts of ours are being inauthentic and to do something about it.

What’s next?

Last year the financial information and analytics giant S&P Global made its global ESG scores publicly accessible to meet investor demands and show the world that there is a need for ESG evaluations in business. Its website states that 83 per cent of C-suite leaders and investment professionals say they expect that ESG programs will contribute more shareholder value over the next five years.

In the US, the advertising industry association ANA runs the ESG Brand Perception Index, which is based on daily surveys of consumer opinions on the ESG performance of more than 430 brands.

It would be great to see a similar index for brands in Australia. But before one can be created, we need a national ESG framework for our industry to govern how we place companies on the index. The problem with setting up an ESG framework is that every company and industry is quite different, so it can get hard to compare one company’s ESG efforts to another’s in a fair way.

Despite that, there is a clear opportunity for media agencies to help build an Australian ESG evaluation index (studying what it takes to gain B Corps accreditation is a good starting point). This should be planned and constructed with the help of the MFA and the AANA, of course, as there are a number of steps and hurdles to push through:

  • Step 1: Formulate a team
  • Step 2: Set goals
  • Step 3: Evaluate opportunities
  • Step 4: Construct the ESG framework
  • Step 5: Promote performance

The last step is there because if you’re going to go to the effort of implementing ESG in your business – of doing some real good – you must publicise it. Yes, it’s scary to talk about, but you can’t go about this quietly. It doesn’t serve a purpose if it’s not shouted about!

ESG will play a critical role in the media and marketing world for many years to come. Brands are doing it well, so why not us? It all starts with understanding how we can best go about ESG, and then taking the appropriate steps towards it. As an industry, we do not want to get left behind.

Why AI-powered e-commerce and QR codes are going to be massive in 2021

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After a year that everyone would like to forget, what are some of the key trends and developments that will roll into 2021 and what’s the outlook for media ad spending?

Key points:

  • The green shoots we are seeing in media ad spending in this quarter will continue into 2021, as categories such as automotive, travel, food and financial services come back to life.
  • Assuming they go ahead, the Tokyo Olympics will bring a renewed sense of normalcy in people’s lives.
  • QR codes are here to stay in the hospitality sector and beyond, leading to an explosion in the data companies collect on their customers.
  • The e-commerce boom of 2020 will continue next year, with online retailers spending ever more on artificial intelligence and augmented reality.
  • The streaming platforms will continue to evolve, as demonstrated by Netflix France’s surprising decision to launch linear channels.

Key Takeouts

Coming to the close of a year that saw complete non-precedence across all industries and countries, now marks a good time to take stock of what was learnt and what changes might be here to stay.

Going into 2020 after what was, from a media ad market perspective, a pretty lacklustre 2019, I was reassured thinking about the power the Olympics would have mid-year to engage and excite consumers, followed by a US Presidential election at the end of the year to really bring us home strong. Of course, my optimism would be short-lived.

At the start of the year, I was concerned that more streaming platform launches would mean more leakage of eyeballs away from broadcast TV, and e-commerce was growing to a point that I was wondering when Amazon would become the default in the way Google had for search and Facebook for social.

So, what exactly did the year bring from a media and marketing point of view?

Who could have predicted that the QR code would come into its own, or that linear TV audiences would grow, or that Netflix would trial a linear channel because consumers have “decision fatigue?”

I can guarantee that no one would have predicted an uplift in paint, home gym equipment and campervan sales.

TV and video

The streaming platform market is booming and here in Australia, we have been teased by BritBox launching throughout the year, as well as numerous new services including Binge and ViacomCBS’s upcoming Paramount+. This is great for consumer choice but continues to drive eyeballs behind the paywall.

Surfacing new content in a passive way is not new, but it’s interesting that it has moved to the SVOD space. With more choice than ever before, discoverability of content is more even more difficult.

In the pay TV world, key players are introducing virtual playlist channels, comprised of linear schedules from BVOD sites. This classic programming strategy has appeal: networks built the audiences for shows such as Friends, Frasier, Seinfeld and The Big Bang Theory through consistent scheduling and repeats of previous seasons. It’s not surprising, therefore, that Netflix has begun to trial its own linear channel in France.

AI powered e-commerce

Moving on from TV, the e-commerce business has had a great year and will continue to thrive and evolve in 2021. Every day, more and more retailers are making the increasingly short leap to online selling. According to Juniper Research, online sellers will spend $US7.3 billion worldwide on artificial intelligence (AI) by 2022. ABI Research predicts that more than 120,000 stores in the US will be using augmented reality (AR) technologies to offer customers a rich buying experience by 2022.

AI acts as your online in-store associate by offering personalised guidance and recommendations to your customers. Online shoppers, of course, can’t try on or physically inspect the product they are thinking about buying. AR removes this hurdle by letting customers see how a certain product would look on them before they buy it.

Running the numbers

After shrinking 5.3% during 2019, the Australian media ad market is likely to finish this year down 22% (excluding government spending). There are some green shoots in this quarter, with the capital city free-to-air TV networks reporting strong demand, some radio networks seeing a bounce back in revenue and regional media reaping the benefits of the Boomtown marketing push it launched last year.

Those green shoots are likely to continue into 2021, as the economy slowly recovers from this year. We are already seeing signs of life in categories such as automotive, travel, food and financial services. The Tokyo Olympics will provide cheer and a renewed sense of normalcy in people’s lives.

E-marketer expects total media ad spending worldwide to rebound to pre-pandemic levels in 2021, hitting US$691.5 billion. Driving this rebound will be strong growth in digital ad spending globally, at 16.4% in 2021, more than double the 7.9% growth that traditional media spending will see next year. The US and China will lead the charge and expect other markets to follow suit.

QR code curveball

I mentioned the QR code. Sorry, but it’s here to stay. Australians seem to be a relatively obedient cohort and now that we have been trained to accept QR codes almost everywhere we go, they will become an important part of the marketing landscape. That will lead to an explosion in the data companies collect on their customers and a resultant increase in more targeted marketing campaigns.

As we prepare to (gladly) leave 2020 behind, we should be prepared for 2021 to have its time in the sun, bringing with it a resurgence in digital and traditional media ad spend, bolstered by rapid expansion in technology.

TV Networks Upfronts wrap: What’s ahead for 2021?

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TV Networks Upfronts wrap: What’s ahead for 2021?

This year the taste of champagne was replaced by an afternoon cuppa, our heels and suits remained firmly in wardrobes and live speeches were traded in for perfectly timed pre-takes, yes, like most events in 2020 the commercial Australian Upfronts went from a live experience to a live stream.

With the usual theatrics taking a back seat and the inability to guarantee an engaged audience the networks had to squeeze their usual lengthy sizzle reels and celebrity appearances into a snappy 60 minute video piece.

Although Scotty Cam in the flesh was sorely missed, all three networks managed to create presentations that remained on brand as well as sending audiences their key focuses and content line-ups for 2021.

Let’s break them down

Network Nine

 

In 2021 we will see crowd favourites MAFSLego MastersNinja Warrior and The Block remain on our screens with the network declaring not much in the way of fresh concepts. Revamped historic programs and international formats were a heavy feature with Celebrity Apprentice and Beauty and the Geek announced as well as an Australian take on the US renovation show Celebrity IOU.
Acting as a cake topper to Nine’s already strong news and current affairs programs Investigation with Liz Hayes is a studio-based deep dive into crimes through emotive storytelling and interviews. Nine also welcomed Amazing Grace (medical drama) to its home grown content catalogue.

An update on the tech and audience data front came from the network happily declaring its partnership with Adobe, unveiling ‘Audience Match’ which was created to assist brands to match their own customer segments to Nine’s 13 million registered users, creating an audience no longer dependant on cookies, helping brands to optimise against existing and potential customers.

Network Seven



It was evident during Seven’s 60 minute presentation that the network wanted to send a clear message; they have a well thought-out plan for 2021.
It’s no secret the network struggled to stay on their usual throne throughout the year with the cancellation of the 2020 Olympic Games, irregular AFL scheduling and the delayed filming of many key local programs. On top of this, yearly declining ratings and tired formats became the nail in the coffin for both MKR and House Rules.

Seven’s upfront was not lacking in content reveals and reminders of those delayed airings. Holey Moley, Ultimate Tag, Australia’s Got Talent and The Voice are all part of the long list of entertainment programing. Seven’s sport coverage will be another saving grace with AFL, 7Cricket, Supercars and The Tokyo Olympics all part of the line-up.

It seems data-driven solutions was a focus of all three presentations, highlighting the importance of simplifying the process for brands trying reach their desired audiences.7REDiQ is Seven’s new audience intelligence platform promising to bring brands closer to their target audiences than ever before.

Network Ten

The TEN network was not going to let a global pandemic stop them from airing family favourites in 2021. I’m A Celebrity… Get Me Out Of Here! is key to Ten’s summer ratings success and although threatened by the inability to be filmed overseas, has now been moved to Northern NSW. The same goes for The Amazing Race Australia which is also being filmed locally.

Ten is following their 2020 format of 50 weeks of content focusing on the under 50’s. MasterChefThe Masked SingerAustralian SurvivorBachelor and Bachelorette will all be back alongside new content that comes from the premiering series of Making It Australia, The Dog House Australia and The First Inventors.

A new partnership with FlyBuys was revealed in combination with existing relationships (RedPlanet, Quantium and Smrtr) promising the ability for brands to use even sharper targeting and measurement capabilities across their BVOD platform 10 Play.

With all three major networks coming out swinging in 2021 it will make for an interesting year including the roll out of further VOZ rating capabilities giving us a clearer view on commercial audience shares.

Meanwhile, SBS will continue the virtual event trend with their Upfronts streaming live on the 18th of November, promising  “the most distinctive, inspiring and entertaining programs coming to the Network in 2021”.  We will follow up with our take on their programming in our next newsletter.

Let us know what you are dying to watch!